Middle

• 2/3 minutes in duration 
• the dance slows down and stops being so frantic but more intimate 
• they use each others bodies in a romantic playful way 
• fluid/soft movements 
• cant let go of each other always in contact 
• he moves her hair out of her face and strokes her face 
• lots of eye contact when can 
• intimate 
• like he has seen an angel

End (if filmed underwater)

• Roughly 1 minute duration
• the dance comes to a complete halt gradually 
• the couple are some how interlocked together as if they are one ( he is now an angel to [he is dead]) 
• float around but look like they are at peace

End (if not filmed underwater - possibility)

Ideas on filming
Camera
I thought about using the camera to reflect the chaotic - ness of the crash instead of just the movement. For example fast panning around the dancers, a mixture of frame sizes to cut between quickly in the editing. I suggested that we try and give an impression of disorientation, reflective of the title "Liminality" and a feeling of not knowing which way is up or down. Laura and I discussed dropping the camera into the water and letting it tumble downwards to maybe achieve this.

I was also thinking that at the very end when the dancers come to a halt, we could pan outwards to a wide shot which would be tilted so that the audience would feel like they are looking slightly upwards to the dancers, almost like they are ascending to heaven / already there. This could give the impression that the viewer is remaining in the real time here on earth, whereas the couple have escaped this to a higher place.
Editing
Faster cuts throughout the chaotic stages i.e. the beginning section. Slower paced, longer cuts throughout the rest - gentle-ness.

At the end after the wide shot has finished, slowly fade to black and then credits.